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  • This was brilliant. It really was.

    Participant, Bathscape workshop

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    Judges, Bath Life Awards 2018

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    Kate Cross, the egg

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    Sir Jonathon Porritt

  • Originality that expands the boundaries of what is considered theatre

    Theatre Bath

  • Absolutely magical. Beautifully-written, elegantly performed.

    Audience, Foraged Fictions

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    Participant, The Cubicle

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    The Edge, University of Bath

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    Audience, Invincible

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    Audience, Invincible

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    Audience, Invincible

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    Kate Yedigaroff, MAYK

  • Like a wizard’s horde, an anorak’s obsession

    Audience, The Last Post

  • I thought it was going to be good but it wasn't good, it was incredible.

    Ethan, aged 11

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    Producer, Beaford Arts

  • Utterly charming; tender, funny, wistful

    Exeunt Magazine

  • Nuanced performances, perfect pacing and utterly glorious set

    Exeunt Magazine

  • Tacking big issues... with an incredibly light touch

    Belinda Dillon, Review

  • I had a lump in my throat by the end

    Audience, Back on Track

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    Audience, The Last Post

  • [Kilter] does what needs to be done but no else has the courage

    Long-term Kilter Fan

  • Truly one of the most imaginative things I've ever seen

    Audience, The Last Post

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    Audience, Roots

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    Audience, Roots

  • Beautiful, touching, sweet & heartfelt

    Audience, The Last Post

  • Theatre of the Unforgettable

    Audience, Back on Track

  • A wonderfully original piece

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    New Statesman

  • Art that puts us right at the heart of its meaning

    Audience, Back on Track

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    Audience, Back on Track

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    Kilter Fan

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    Head teacher, Unsung
All Past Projects

The Little Month (2008)

Green Roofs HQ before Christmas party

A theatrical treasure trail around Bath with activities published in an accompanying booklet to lead you to a daily theatrical instalment every day of ‘the little month’ of February. 

 

And why is February so little? Because March stole three days right out of her middle…

 

It’s two minutes past midnight, 01.02.09. January is at the end of his annual shift and at the end of his tether. It’s been the usual hard month of blues, sales and bad weather and he’s looking forward to the hand-over with February. But where is she?! Enlisting the help of a reluctant March, the two calendar characters begin their hunt for the cunning, work-shy February.

 

Commissioned by the egg, Theatre Royal Bath.

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