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  • Entertaining, heart warming and provocative

    Kate Cross, the egg
  • A hugely challenging and inspiring project

    Sir Johnathon Porritt
  • The best immersive theatre experience I've ever had

    Audience, Invincible
  • It really is a wonderful piece of work!

    Audience, Invincible
  • Conception and delivery both outstanding. Unforgettable.

    Audience, Invincible
  • Was intrigued, challenged & entirely engaged

    Audience, Invincible
  • A deftly orchestrated, surprising, stylish and moving piece of theatre

    Kate Yedigaroff, MAYK
  • Like a wizard’s horde, an anorak’s obsession

    Audience, The Last Post
  • I thought it was going to be good but it wasn't good it was incredible.

    Ethan aged 11
  • Enchanting and beautifully crafted

    Producer, Beaford Arts
  • Utterly charming; tender, funny, wistful

    Exeunt Magazine
  • Nuanced performances, perfect pacing and utterly glorious set

    Exeunt Magazine
  • Tacking big issues... with an incredibly light touch

    Belinda Dillon, Review
  • I had a lump in my throat by the end

    Audience, Back on Track
  • A beautiful, fragile, believable world you've created

    Audience, The Last Post
  • What can I say except it touched every emotion

    Audience, The Last Post
  • [Kilter] does what needs to be done but no else has the courage

    Long-term Kilter Fans
  • Truly one of the most imaginative things I've ever seen

    Audience, The Last Post
  • I don't have the words to say how much I enjoyed this

    Audience, Roots
  • Exactly what we need in this world

    Audience, Roots
  • Beautiful, touching, sweet & heartfelt

    Audience, The Last Post
  • Theatre of the Unforgettable

    Audience, Back on Track
  • A wonderfully original piece

    Venue Magazine, Roots
  • Few could compete with [Kilter's] model of sustainability

    New Statesman
  • Kilter reminds me of the things that are truly important

    Returning audience member
  • Art that puts us right at the heart of its meaning

    Audience, Back on Track
  • It is not often I laugh so hard it is uncontrollable - absolutely superb

    Audience, Back on Track
  • An exhilarating sense of community

    Kilter Fan
  • I find it hard to do Kilter justice in words

    Head teacher, Unsung
All Past Projects

Roots (2009)

		Production shot of the audience in

Our site-specific allotment show, Roots, split the audience between attitudes to food in 1950 & 2050: everything from Smash to Nano.

 

The time is ripe for digging. As cheap imported fruit and veg rapidly become a thing of the past, Kilter invited people to grab a spade and elope to the allotment for a theatrical journey into the future of food.

 

Through an intimate tale of love and vegetables, Kilter took the audience down the bean-rows to explore food-security in a post-oil world. Friendly, welcoming characters tinkered with their seedlings whilst the audience up-turned a pot and took the weight off their feet.

 

It is rare to find a piece of live entertainment that is completely unique, but Kilter’s breathtaking piece of site-specific theatre is refreshingly original and a real slice of bohemian magic….This was such an intimate and organic piece of contemporary art that the audience left the allotments with an experience that will last long after the trees have shed their leaves. Highly recommended. Bath Chronicle

 

The performance succeeded admirably in the difficult task of being provocative without being preachy, witty and amusing without being flippant, and highly entertaining without once trivialising the underlying issues. I am pleased that B&NES Arts Development were able to support Kilter in creating Roots. This is precisely the kind of relevant, developmental creative work that public money should be spent upon.  Peter Salt, B&NES Arts Development 

 

Sell-out run at the Bath Organic Group Allotments, Victoria Park, Bath.