Kilter Theatre logo

  • This was brilliant. It really was.

    Participant, Bathscape workshop
  • Cutting edge, innovative, energetic, collaborative and highly creative.

    Judges, Bath Life Awards 2018
  • Entertaining, heart warming and provocative

    Kate Cross, the egg
  • A hugely challenging and inspiring project

    Sir Jonathon Porritt
  • Originality that expands the boundaries of what is considered theatre

    Theatre Bath
  • Absolutely magical. Beautifully-written, elegantly performed.

    Audience, Foraged Fictions
  • Life affirming!

    Participant, The Cubicle
  • Engaging, funny & visually eye-catching

    The Edge, University of Bath
  • The best immersive theatre experience I've ever had

    Audience, Invincible
  • Conception and delivery both outstanding. Unforgettable.

    Audience, Invincible
  • Was intrigued, challenged & entirely engaged

    Audience, Invincible
  • A deftly orchestrated, surprising, stylish and moving piece of theatre

    Kate Yedigaroff, MAYK
  • Like a wizard’s horde, an anorak’s obsession

    Audience, The Last Post
  • I thought it was going to be good but it wasn't good, it was incredible.

    Ethan, aged 11
  • Enchanting and beautifully crafted

    Producer, Beaford Arts
  • Utterly charming; tender, funny, wistful

    Exeunt Magazine
  • Nuanced performances, perfect pacing and utterly glorious set

    Exeunt Magazine
  • Tacking big issues... with an incredibly light touch

    Belinda Dillon, Review
  • I had a lump in my throat by the end

    Audience, Back on Track
  • A beautiful, fragile, believable world you've created

    Audience, The Last Post
  • [Kilter] does what needs to be done but no else has the courage

    Long-term Kilter Fan
  • Truly one of the most imaginative things I've ever seen

    Audience, The Last Post
  • I don't have the words to say how much I enjoyed this

    Audience, Roots
  • Exactly what we need in this world

    Audience, Roots
  • Beautiful, touching, sweet & heartfelt

    Audience, The Last Post
  • Theatre of the Unforgettable

    Audience, Back on Track
  • A wonderfully original piece

    Venue Magazine, Roots
  • Few could compete with [Kilter's] model of sustainability

    New Statesman
  • Art that puts us right at the heart of its meaning

    Audience, Back on Track
  • It is not often I laugh so hard it is uncontrollable - absolutely superb

    Audience, Back on Track
  • An exhilarating sense of community

    Kilter Fan
  • I find it hard to do Kilter justice in words

    Head teacher, Unsung
All Workshops

Off the Peg

There are some areas in which we are asked to deliver workshops time and again so we have developed 5 core workshops to run at the drop of a hat. We recommend 2 Kilter practitioners and at least 3 hours for each workshop…


  1. Dealing with Sensitive Issues like climate change (without terrifying/boring your audience). Kilter is regularly praised by audiences for energising a can-do attitude to sometimes seemingly overwhelming topics. In this workshop students will be encouraged to think about new ways to communicate what is important to them.


  1. How can my performing arts vocation create positive change? Kilter is an industry leader on low carbon theatre practise. We walk our talk and we’d like to share our methodologies with a new generation of theatre makers. We’ve made the mistakes so you don’t have to!


  1. Site-specific, site-responsive character development and story telling. Much of Kilter’s performance work is ingrained in the site in which we are performing. In this workshop students are encouraged to understand everything a site has to offer and translate that into character and narrative.


  1. Up close and interactive performance techniques. Kilter has refined a number of strategies for working with audiences in confined or otherwise awkward performance spaces. Dubbed theatre at point-blank range, these techniques avoid the sometimes unnecessarily uncomfortable nature of interactive theatre.


  1. Making work in the real world. Kilter’s practitioners have at least 15 years experience of making work with small companies in the real world, as opposed to the protected environment of university etc. We have a wealth of knowledge, tips and processes to make sure that students become active and proactive, employed and happy theatre makers.


To book a workshop, or discuss the requirements of your booking, get in touch.